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The Sand Pebbles (film)

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The Sand Pebbles
Theatrical release poster
by Howard Terpning
Directed byRobert Wise
Screenplay byRobert Anderson
Based onthe novel
by Richard McKenna
Produced byCharles Maguire
(associate producer - second unit director)
Starring
CinematographyJoseph MacDonald, A.S.C.
Edited byWilliam Reynolds, A.C.E.
Music byJerry Goldsmith
Production
company
Distributed by20th Century Fox
Release date
  • December 20, 1966 (1966-12-20)
Running time
  • 182 minutes (Original release)
  • 196 minutes[1] (Roadshow)
CountryUnited States
Languages
  • English
  • Mandarin
Budget$12.1 million[2]
Box office$30 million[3]

The Sand Pebbles is a 1966 American epic war film directed by Robert Wise in Panavision. It tells the story of an independent, rebellious U.S. Navy machinist's mate first class, aboard the fictional river gunboat USS San Pablo, on Yangtze Patrol in 1920s China. The production was filmed on location in Taiwan and Hong Kong.

The film stars Steve McQueen, Richard Attenborough, Richard Crenna and Candice Bergen, and features Marayat Andriane, Mako and Larry Gates in supporting roles. Robert Anderson adapted the screenplay from the 1962 novel of the same name by Richard McKenna.

The Sand Pebbles was a critical and commercial success during its general release. It became the fourth highest-grossing film of 1966 and was nominated for eight Academy Awards, including Best Picture and Best Actor for Steve McQueen, his only Oscar nomination, and eight Golden Globe Awards, with Attenborough winning the Golden Globe for Best Supporting Actor.

Plot

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The opening credits read:

CHINA 1926...
Ravaged from within by corrupt warlords... oppressed from without by the great world powers who had beaten China to her knees a century before...
China... a country of factions trying to unite to become a nation... through revolution..."

During China's Warlord Era, Navy Machinist’s Mate, 1st Class Jake Holman transfers to the Yangtze River Patrol gunboat USS San Pablo as their new engineer. Almost immediately he upsets the crew when he won't accept the unofficial Chinese workers the crew uses to do most of the boat's duties. Instead Holman takes responsibility of the engine room. He befriends a seasoned sailor named Frenchy.

After an engine malfunction, caused by a problem Holman noticed but the captain refused to repair, Chien, the chief Chinese engine worker died for which Lop-eye Shing, leader of all the boat's Chinese workers, blames Holman. The captain tells Holman he must find a Chinese replacement so he chooses the simple but genial Po-Han.

The sailors on shore leave visit a bar and brothel run by a former sailor. A high-priced virgin named Maily captivates the crew. Frenchy discovers that her price is the debt she must to pay to get her freedom.

Holman's nemesis Stawski conspires with Shing to get Po-Han kicked off the boat by having a boxing match: if Stawski wins, he gets the money needed for Maily, but if he loses, Po-Han gets his job back. Stawski is almost beaten when the alarm sounds forcing the crew to rush back to their boat. A Chinese mob has been angered that British warships have fought a battle with Chinese warlords on the Yangtze River.

When the Chinese Civil War begins, the San Pablo is ordered to remain neutral while rescuing stranded Americans up river. Po-han is sent ashore by Shing while the sailors collect Jameson, a missionary, and Shirley Eckert, his schoolteacher assistant. After being caught by a mob, Holman violates the captain's orders to stay neutral by shooting Po-Han to end his brutal death on-shore.

Back in port, Chinese locals openly show their hate for the sailors. Jameson and Eckert head to a new mission. Frenchy tries to buy Maily's freedom but instead she is put up for auction. Holman tries to help Frenchy pay the higher price, but a fight breaks out. The three of them escape. Frenchy and Maily have an unofficial marriage in an empty church. Holman and Eckert start to meet and fall in love, but he thinks it cannot last as he will likely be shipping out of China soon.

As winter comes, the boat becomes stuck in port as the river level drops. All shore leave is cancelled after the Chinese workers abandon the crew. To see Maily, Frenchy regularly swims the freezing waters but eventually he catches pneumonia and dies. Anti-foreign Chinese forces kill Maily and frame Holman for her murder. They surround the ship and demand his surrender. The crew also demand Holman surrender but the captain fires the deck gun of the San Pablo ending the standoff.

After hearing of anti-foreigner riots in Nanking, the captain decides they need to rescue Jameson and Eckert from their mission. However, the San Pablo encounters a line of tethered junks blocking their way sparking an armed conflict. Under fire, Holman chops through the rope. He kills a Chinese militiaman only to recognize the young man as one of Jameson's and Shirley's students.

The gunboat arrives at the mission but Jameson and Shirley Eckert refuse to leave. While they argue, Nationalist soldiers attack killing Jameson. The patrol retreats but when its officer is killed, Holman takes command. He and Shirley affirm their love; Holman promises to follow while covering their escape. He kills several soldiers but is fatally shot as he is about to rejoin the others. A dying Holman bewilderingly asks "I was Home..what happened? What the hell happened?"

Shirley and remaining sailors reach the boat. The San Pablo slowly steams away.

Cast

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Former child actor and career naval officer Frank Coghlan Jr. was the film's U.S. Navy technical advisor; he makes an uncredited appearance as an American businessmen.[4]

Production

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Development

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For years, Robert Wise had wanted to make The Sand Pebbles, but the film companies were reluctant to finance it. The Sand Pebbles was eventually financed by Twentieth Century-Fox, but because its production required extensive location scouting and pre-production work, as well as being affected by a monsoon in Taipei, its producer and director Wise realized that it would be more than a year before principal photography could begin. At the insistence of Fox, Wise agreed to direct a "fill-in" project, the Academy Award winning The Sound of Music.[5]

Pre-production

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Fox spent $250,000 building a replica gunboat named the San Pablo, based on the USS Villalobos — a former Spanish Navy gunboat that was seized by the U.S. Navy in the Philippine Islands during the Spanish–American War (1898–1899) — but with a greatly reduced draft to allow sailing on the shallow Tam Sui and Keelung Rivers.[6] The replica's final design was closer to that of 1928 river gunboats than that of the Villalobos.[7] A seaworthy vessel that was actually powered by Cummins diesel engines,[8] the San Pablo made the voyage from Hong Kong to Taiwan and back under her own power during shooting of The Sand Pebbles. After filming was completed, the San Pablo was sold to the DeLong Timber Company and renamed the Nola D, then later sold to Seiscom Delta Exploration Co., which used it as a floating base camp with significant modifications, including removal of its engines and the addition of a helipad.[9] The boat was towed to Singapore and broken up in 1975.[10]

Robert Wise's cinematographer from The Sound of Music, Ted McCord, had taken a scouting trip to the Asian locations, but he informed Wise that his heart problems made him not capable enough to shoot the film.[11]

Filming

[edit]

The Sand Pebbles was filmed both in Taiwan and Hong Kong.[12] Its filming, which began on November 22, 1965, in Keelung,[13] was scheduled to take about nine weeks, but it ended up taking seven months.[14] The cast and crew took a break for the Christmas holidays in Tamsui, Taipei.

At one point, a 15-foot camera boat capsized on the Keelung River, setting back the schedule because the soundboard was ruined when it sank. When the filming was finally completed in Taiwan, the government of the Republic of China was rumored to have held the passports of several cast members because of unpaid additional taxes.[14] In March 1966, the filming moved to Hong Kong and Shaw Brothers Studio for three months, mainly for scenes in Sai Kung and Tung Chung. In June, production traveled to Hollywood to finish its interior scenes at Fox Studios.

Due to frequent rain and other difficulties in Hong Kong, the filming was halted and nearly abandoned. McQueen had developed an abscessed molar and returned to California because he did not wish to be treated in Hong Kong. By the time he received treatment in Los Angeles, he was very ill and was ordered by his dentist and physician to take an extended period of rest, one that further delayed production for several more weeks.

Some filming took place on the dreadnought-type battleship USS Texas, but these scenes were cut from the final film.[15] After more than 40 years, 20th Century Fox found 14 minutes of footage that had been cut from the film's initial roadshow version shown at New York's Rivoli Theatre. The restored version has been released on DVD. The sequences are spread throughout the film and add texture to the story, though they do not alter it in any significant way.[16]

Themes and background

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The military life of the San Pablo's crew, the titular "Sand Pebbles", portrays the era's culture and colonialism on a small scale through the sailors' relations with the coolies, who run their gunboat, and the bargirls, who serve them off-duty, as well as, on a large scale, with the West's gunboat diplomacy domination of China.

Although the 1962 novel antedated extensive U.S. activity in Vietnam, and was not based on any historic incidents, by the December 1966 release of the film, it was seen as an explicit statement on the U.S.'s extensive combat involvement in the Vietnam War in reviews published by The New York Times[17] and Life magazine.[18]

Release

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It rained the night of the premiere, December 20, 1966, at the Rivoli Theatre, 750 Seventh Avenue, New York City. Afterward, McQueen did not do any film work for about a year due to exhaustion, saying that whatever sins he had committed in his life had been paid for when he made The Sand Pebbles.[19][20] He was not seen on film again until two 1968 films, The Thomas Crown Affair and Bullitt.

According to Fox records, the film needed to earn $21,200,000 in rentals to break even, and by December 1970, made $20,600,000.[21] In September 1970, the studio recorded a loss of $895,000 on the movie.[22]

Reception

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The film was acclaimed by a wide array of critics. The film has an 89% rating on Rotten Tomatoes based on 18 reviews.[23]

Bosley Crowther of The New York Times called it "a beautifully mounted film" with "a curiously turgid and uneven attempt to generate a war romance". Crowther thought: "It is not as historical romance that it is likely to grab the audience, but as a weird sort of hint of what has happened and is happening in Vietnam."[17]

Arthur D. Murphy of Variety declared it "a handsome production, boasting some excellent characterizations. Steve McQueen delivers an outstanding performance."[24]

Philip K. Scheuer of the Los Angeles Times called it "adventure on the grand scale, of a kind on which the British have too long enjoyed an exclusive monopoly. The Sand Pebbles earns a place up there beside The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, et al ... Too, the parallel with 1966 and Vietnam could hardly be more timely."[25]

Richard L. Coe of The Washington Post called the film "a strong story with highly unusual backgrounds, a character perfectly suited to Steve McQueen and an engrossing drive that falters only because three hours is a bit much."[26]

The Monthly Film Bulletin wrote: "History, of course, never really repeats itself in the way script-writers would like it to, and the parallel between China in 1926 and Vietnam today is distinctly dubious. But this striking of attitudes is the film's undoing, since it seriously undermines the narrative by presenting the characters as little more than pawns in a didactic chess game. And in any case, the script never decides which side of the political fence it wants to sit on."[27]

Brendan Gill of The New Yorker wrote that McQueen "works hard and well" in his role but described Robert Wise's direction as "molasses-in-January".[28]

Awards & Nominations

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The performance earned Steve McQueen the only Academy Award nomination of his career.

Award Category Nominee(s) Result
Academy Awards[29][30] Best Picture Robert Wise Nominated
Best Actor Steve McQueen Nominated
Best Supporting Actor Mako Nominated
Best Art Direction – Color Art Direction: Boris Leven;
Set Decoration: Walter M. Scott, John Sturtevant and William Kiernan 		Nominated
Best Cinematography – Color Joseph MacDonald Nominated
Best Film Editing William Reynolds Nominated
Best Original Music Score Jerry Goldsmith Nominated
Best Sound James Corcoran Nominated
American Cinema Editors Awards Best Edited Feature Film William Reynolds Nominated
Directors Guild of America Awards Outstanding Directorial Achievement in Motion Pictures Robert Wise Nominated
Golden Globe Awards Best Motion Picture – Drama Nominated
Best Actor in a Motion Picture – Drama Steve McQueen Nominated
Best Supporting Actor – Motion Picture Richard Attenborough Won
Mako Nominated
Best Director – Motion Picture Robert Wise Nominated
Best Screenplay – Motion Picture Robert Anderson Nominated
Best Music, Original Score – Motion Picture Jerry Goldsmith Nominated
Most Promising Newcomer – Female Candice Bergen Nominated
Laurel Awards Top Drama Nominated
Top Male Dramatic Performance Steve McQueen Nominated
Top Male Supporting Performance Richard Crenna Nominated
Motion Picture Sound Editors Awards Best Sound Editing – Dialogue James Corcoran Won
Writers Guild of America Awards Best Written American Drama Robert Anderson Nominated

The film is recognised by American Film Institute in these lists:

See also

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References

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  1. ^ "THE SAND PEBBLES (A)". British Board of Film Classification. February 24, 1967. Archived from the original on December 24, 2015. Retrieved December 23, 2015.
  2. ^ Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p254
  3. ^ "The Sand Pebbles, Box Office Information". The Numbers. Archived from the original on July 28, 2013. Retrieved April 16, 2012.
  4. ^ Ephraim Katz (1979). The Film Encyclopedia. Crowell. p. 253.
  5. ^ Hirsch, Julia Antopol (1993). The Sound of Music: The Making of America's Favorite Movie. Chicago: Contemporary Books. pp. 13–14. ISBN 978-0-8092-3837-8.
  6. ^ "Steve McQueen - The Sand Pebbles". thesandpebbles.com. Archived from the original on February 20, 2015. Retrieved June 14, 2015.
  7. ^ "USS San Pablo from the Sand Pebbles". thesandpebbles.com. Crispin Garcia. Archived from the original on January 1, 2007. Retrieved May 16, 2023.
  8. ^ "Jim Fritz - Recollections of The Sand Pebbles (1966)". thesandpebbles.com. Archived from the original on May 22, 2016. Retrieved June 14, 2015.
  9. ^ "The Demise of the San Pablo - The Sand Pebbles". thesandpebbles.com. Archived from the original on June 26, 2015. Retrieved June 14, 2015.
  10. ^ "The Demise of the San Pablo - The Sand Pebbles". www.thesandpebbles.com. Retrieved April 25, 2022.
  11. ^ Santopietro, Tom The Sound of Music Story Bantam Press; 1st edition 1 May 2015
  12. ^ Headland, Andrew Jr. (July 25, 2022). "From the archives, 1966: Variety's the Spice of Candy's Life". Stars and Stripes. Retrieved January 29, 2024.
  13. ^ "AFI Catalog of Feature Films: The Sand Pebbles". AFI. December 20, 1966. Retrieved January 29, 2024.
  14. ^ a b Espinal, Megan (February 22, 2013). "The Sand Pebbles (1966)". The Saturday Evening Post. Retrieved January 29, 2024.
  15. ^ "Last Remaining WWI-Era Dreadnought, USS Texas (BB-35), to Undergo $35 Million Repairs". www.warhistoryonline.com. September 6, 2022.
  16. ^ "The Sand Pebbles - Restored Roadshow Scenes (German 35mm version)". www.thesandpebbles.com. Retrieved December 19, 2024.
  17. ^ a b Crowther, Bosley (December 21, 1966). "Screen: 'The Sand Pebbles' Begins Its Run at Rivoli". Archived April 18, 2019, at the Wayback Machine The New York Times. 48.
  18. ^ Schickel, Richard (January 6, 1967). "Life magazine review of The Sand Pebbles". www.thesandpebbles.com. Archived from the original on June 23, 2009. Retrieved February 1, 2018.
  19. ^ Kurcfeld, Michael, (2007). – Documentary: The Making of "The Sand Pebbles". – Stonehenge Media
  20. ^ McQueen Toffel, Neile, (1986). – Excerpt: My Husband, My Friend Archived May 15, 2008, at the Wayback Machine. – (c/o The Sand Pebbles). – New York, New York: Atheneum. – ISBN 0-689-11637-3
  21. ^ Silverman, Stephen M (1988). The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox. L. Stuart. p. 325. ISBN 9780818404856.
  22. ^ Silverman, Stephen M (1988). The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox. L. Stuart. p. 259. ISBN 9780818404856.
  23. ^ "The Sand Pebbles". Rotten Tomatoes. Los Angeles, CA: Fandango. Archived from the original on May 23, 2019. Retrieved April 1, 2021.
  24. ^ "Film Reviews: The Sand Pebbles". Variety. December 21, 1966. 6.
  25. ^ Scheuer, Philip K. (December 25, 1966). "Gold Found in 'Sand Pebbles'". Los Angeles Times. Calendar, p. 1.
  26. ^ Coe, Richard L. (January 26, 1967). "'Sand Pebbles' At the Ontario". The Washington Post. F14.
  27. ^ "The Sand Pebbles". The Monthly Film Bulletin. 34 (401): 91. June 1967.
  28. ^ Gill, Brendan (December 31, 1966). "The Current Cinema". The New Yorker. 62.
  29. ^ "The 39th Academy Awards (1967) Nominees and Winners". oscars.org. Archived from the original on November 10, 2014. Retrieved August 24, 2011.
  30. ^ "The Sand Pebbles". Movies & TV Dept. The New York Times. 2012. Archived from the original on October 18, 2012. Retrieved December 27, 2008.
  31. ^ "AFI's 100 Years of Film Scores Nominees" (PDF). Archived (PDF) from the original on July 6, 2011. Retrieved August 6, 2016.
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Reviews

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